American Dream in Edward Albees Whos Afraid of Virginia Woolf Essay

In the final exercise of Whos claustrophobic of Virginia Woolf, Honey apolo limitic onlyy and drunkenly explains that she has peeled the label polish off her brandy bottle. To this, George replies, We all peel labels, sweetie and when you meet through the skin, all threesome layers, through the muscle, slosh aside the organs, and squeeze down to bone, you still put one overnt got all the way, yet. Theres something inside the bone the marrow and thats what you gotta get at. In a fly the coop blending realism and absurdism, Edward Albee peels off the institutions and set that Americans held and hold dear, such as family, beauty, marriage, success, religion, and education. With blackly humorous ridicule and through deprecative analysis, Albee suggests that these institutions, traditionally comprising the American dream, have been desperately created to escape reality. Ultimately, however, he shows us that reality continues to pervasively loll around not far beneath the scrap e that we have slapped over it, approximately as if threatening to eat up the very thing with which we overcome it. Even before an analysis of Albees spectacular action, the location itself sets the scene for a study of American society. Albee sets his play in the fictitious forward-looking England town of New Carthage, alluding to the ancient civilization of Carthage, which for thousands of eld flourished, but was permanently conquered by the Romans. The name is not coincidental, as George refers to New Carthage as Penguin Island, a mythological island destroyed by capitalism in a novel by Anatole France, and as Gomorrah, the city in the rule book that was destroyed, along with Sodom, for its wickedness. (40) The allusion invites parallels to our own country, which, at the time facing the threat of communism, not only face... ...an philosopher. And the west, encumbered by crippling alliances, and burdened with a faith too rigid to book itself to the swing of events, must eventually fall. (174) Albee suggests that, back tooth the faade of the American dream, rear the pretense of American ideals, behind the imitative front of the tranquility of American society in the early 60s, Americas immanent corruption and emptiness threatened, and by chance continue to threaten, the country with a analogous fall. Work CitedAlbee, Edward. Whos appalled of Virginia Woolf? Rev. ed. New York Dramatists Play Service, 2005. Print.Works ConsultedClurman, Harold. Whos Afraid of Virginia Woolf? Edward Albee A Collection of small proves. Ed. C.W.E. Bigsby. Englewood Cliffs Prentice-Hall 1975. 76-79 Hirsch, Foster. Whos Afraid of Edward Albee? Berkeley Creative Arts, 1978. American Dream in Edward Albees Whos Afraid of Virginia Woolf EssayIn the final act of Whos Afraid of Virginia Woolf, Honey apologetically and drunkenly explains that she has peeled the label off her brandy bottle. To this, George replies, We all peel labels, sweetie and when y ou get through the skin, all three layers, through the muscle, slosh aside the organs, and get down to bone, you still havent got all the way, yet. Theres something inside the bone the marrow and thats what you gotta get at. In a play blending realism and absurdism, Edward Albee peels off the institutions and values that Americans held and hold dear, such as family, beauty, marriage, success, religion, and education. With blackly humorous ridicule and through critical analysis, Albee suggests that these institutions, traditionally comprising the American dream, have been desperately created to escape reality. Ultimately, however, he shows us that reality continues to pervasively lurk not far beneath the surface that we have slapped over it, almost as if threatening to eat up the very thing with which we suppress it. Even before an analysis of Albees dramatic action, the location itself sets the scene for a study of American society. Albee sets his play in the fictitious New England town of New Carthage, alluding to the ancient civilization of Carthage, which for thousands of years flourished, but was permanently conquered by the Romans. The name is not coincidental, as George refers to New Carthage as Penguin Island, a mythical island destroyed by capitalism in a novel by Anatole France, and as Gomorrah, the city in the Bible that was destroyed, along with Sodom, for its wickedness. (40) The allusion invites parallels to our own country, which, at the time facing the threat of communism, not only face... ...an philosopher. And the west, encumbered by crippling alliances, and burdened with a morality too rigid to accommodate itself to the swing of events, must eventually fall. (174) Albee suggests that, behind the faade of the American dream, behind the pretense of American ideals, behind the false front of the tranquility of American society in the early 60s, Americas internal corruption and emptiness threatened, and perhaps continue to threaten, the country with a similar fall. Work CitedAlbee, Edward. Whos Afraid of Virginia Woolf? Rev. ed. New York Dramatists Play Service, 2005. Print.Works ConsultedClurman, Harold. Whos Afraid of Virginia Woolf? Edward Albee A Collection of Critical Essays. Ed. C.W.E. Bigsby. Englewood Cliffs Prentice-Hall 1975. 76-79 Hirsch, Foster. Whos Afraid of Edward Albee? Berkeley Creative Arts, 1978.